{"id":10557,"date":"2026-09-25T12:00:00","date_gmt":"2026-09-25T10:00:00","guid":{"rendered":"https:\/\/lovelab.berlin\/?p=10557"},"modified":"2026-09-28T16:25:47","modified_gmt":"2026-09-28T14:25:47","slug":"the-revenge-of-the-uncool","status":"publish","type":"post","link":"https:\/\/lovelab.berlin\/en\/die-rache-der-uncoolen\/","title":{"rendered":"The Revenge of the Uncool"},"content":{"rendered":"<p><strong><em>The once national-conservative Springer Verlag has become a player in the international New Right. Ulf Poschardt\u2019s pamphlet against the \u00bbShitb\u00fcrgertum\u00ab is exemplary of the cultural struggle against the long-time left-liberal dominated education and culture elite. At the same time, precisely those principles on which Springer once based its self-understanding are eroding: liberal democracy, social market economy, transatlantic ties, and a special responsibility towards Israel and the Jews, whose temporary low point is the honoring of the despiser of democracy Peter Thiel. Springer\u2019s late revenge against 68 is thus much more than just a cultural struggle: it marks the transition of part of the bourgeois establishment from defending liberal democracy to dismantling it.<\/em><\/strong><\/p>\n<p>In 1967\/68, Springer was not just an opponent of the student movement; it was its founding enemy. \u00bbEnteignet Springer\u00ab, the blockades of Bild deliveries after the attempt on Rudi Dutschke's life, the justified accusation that the paper had contributed to the climate of violence: the publisher became the epitome of the backward-looking. Cultural hegemony migrated to the left in pop culture, art, the university and the feuilleton, and remained there for half a century. Springer remained powerful but uncool. In the high-rise building on today\u2019s Rudi-Dutschke-Stra\u00dfe, this humiliation has never been forgotten.<\/p>\n<p>With the rise of MAGA and a worldwide right-wing populist movement, today offers the opportunity for revenge. Of course, the new right is also about a rollback of social liberalizations since the 1960s, while at the same time pursuing economic \u00bbAnything Goes\u00ab. But the moment of revenge is unmistakable: it is directed against the cultural elites, their language, their morality, and their way of life. Poschardt\u2019s \u00bbShitb\u00fcrgertum\u00ab exemplifies this. The term refers to the green-academic milieu that, in this reading, determines the codes of respectability. What is attacked is less a politics than a social class and its cultural self-assurance. Textbook revanchism.<\/p>\n<p>Ulf Poschardt is an insightful figure in this regard. He began as a knowledgeable author with well-researched books on DJ Culture and Coolness. Today, he relies on loud provocation, declares that distancing oneself from right-wing incitement is a power strategy of the Left, and declares himself a punk. One could read this as a break; what is more interesting is the continuity. For Poschardt, Coolness was always more of a technique of distinction than that \u00bbcool knowledge\u00ab which, for Spex, was rooted in progressive politics. It is directed against the mainstream, the square, the conformist. If the square is left-green in one\u2019s own worldview, the same gesture points to the right. The logic of the demarcation remains; only the opponent changes. The Coolness once coded as politically progressive is thereby reduced to arbitrariness, in which the rocker costume itself becomes the only argument.<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/lovelab.berlin\/wp-content\/uploads\/2026\/09\/poschardt-rache-der-uncoolen.jpg\" alt=\"Satirical AI montage in the style of a magazine cover: Ulf Poschardt, wearing a black turtleneck sweater, with tattooed forearms, holds a baseball bat wrapped in a copy of Die Welt with the headline \u00bbThe Left Alliance with Hate\u00ab; above it the inscription \u00bbThe Revenge of the Uncool\u00ab\" \/><figcaption>\u00bbThe Revenge of the Uncool\u00ab | AI montage<\/figcaption><\/figure>\n<p>At the beginning of the millennium, Springer had still nestled up to the changed cultural landscape. Under D\u00f6pfner and Kai Diekmann, the house was poppy and lifestyle-oriented, from \u00bbWe Are Pope\u00ab to the music and youth formats in its portfolio. But that was more of a latency phase. By 2010 at the latest, the other direction was evident: Bild was stirring up sentiment against the \u00bbbankrupt Greeks\u00ab, and Springer amplified Thilo Sarrazin's racist theses with all its publishing might.<\/p>\n<p>There is, however, a crucial difference from 1968. Axel Springer was nationally conservative, Christian and paternalistic, but not neoliberal. Bild spoke to the \u00bblittle man,\u00ab not the libertarian entrepreneur type. Market-radical ideas had long existed, in the Mont-P\u00e8lerin Society as well as in Ordoliberalism, but they were embedded in the West German post-war consensus. They only became dominant gradually, starting with Thatcher and Reagan.<\/p>\n<p>With the awarding of the Axel Springer Award to Peter Thiel on September 24, 2026, Springer has finally abandoned the democratic post-war consensus. In 2009, Thiel wrote that he no longer believed in the compatibility of freedom and democracy. From this, he developed, accompanied by crackpot ramblings about the Antichrist, a libertarian vision whose goal is to escape the constraints of democratic politics, from Seasteading to private, autonomous communities led by CEO-kings, as propagated by the reactionary blogger Curtis Yarvin, whom Thiel supports. It should be noted that the idea of the Antichrist is one of the oldest anti-Jewish-charged motifs in Christianity. At the same time, Thiel is a co-founder of Palantir, the company whose importance for the \u00bbresilience of democracies\u00ab Springer promotes in the award justification. In short: A publisher that invokes the defense of Western democracy honors a man whose political vision aims to eliminate it.<\/p>\n<p>Conservative transatlantism once meant allegiance to the West, to liberal democracy, the social market economy, and anti-communism. Today, it has degenerated into allegiance to the Trump camp.<\/p>\n<p>The same applies to a second pillar of the house. After the Shoah, Axel Springer wrote the reconciliation with the Jews into his publishing principles. This was also a counterpoint to a right-wing press of Hugenberg's kind, which in the Weimar Republic had prepared the ground for Nazi incitement, and it is one of the great achievements of the house.<\/p>\n<p>Today, the former firewall against the far right has degenerated into a caricature. It is not intended to protect against the AfD with its long list of anti-Semitic offenses, but to defend the Israeli government, in which right-wing extremists like Itamar Ben-Gvir and Bezalel Smotrich hold key positions. The International Criminal Court has issued an arrest warrant against their leader Benjamin Netanyahu, on charges of alleged war crimes and crimes against humanity, including intentional attacks on the civilian population as a method of warfare. The distinction between Israel\u2019s right to exist and the war crimes alleged against its government, on which any serious solidarity rests, is thereby obscured \u2013 while Muslim people are placed under general suspicion.<\/p>\n<p>Anyone who defends democratic values must equally name and combat anti-Semitism, Islamism, and all forms of political violence. But not at the expense of turning contempt into a discursive strategy. Springer is willingly paying this price: Outrage, polarization, and the humiliation of the opponent work better on digital platforms than any nuanced argument. Here, Springer\u2019s creator strategy comes into play: Declining circulation is replaced by personalities like Poschardt, who mobilize their radicalized following across all digital channels. The house\u2019s actual product is, once again, the dehumanization of the political opponent \u2013 as can be observed currently after the Left\u2019s victory in Berlin.<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/lovelab.berlin\/wp-content\/uploads\/2026\/09\/schlagzeilen-berlin-wahl-2026.jpg\" alt=\"Collage of headlines from Nius, Welt, Bild, Apollo News, Focus, S\u00fcddeutsche Zeitung, ARD Tagesthemen and Ulf Poschardt on the Berlin Left, including \u00bbBerlin faces the caliphate\u00ab, \u00bbClans and Islamists: The Left Alliance with Hate\u00ab and \u00bbBerlin has fallen\u00ab\" \/><figcaption>Headlines around the Berlin state parliament election, September 2026<\/figcaption><\/figure>\n<p>But that\u2019s not the end of the story. Orb\u00e1n has been voted out, Trump\u2019s seat is shaky, in the UK there are majorities for returning to the EU. And Friedrich Merz, thanks to his antisocial policies and rhetoric, is more unpopular than any chancellor before him. There are first signs of the collapse of the neo-right project. Even Springer will turn away from its new friends once the wind starts to change. The only open question is how deep the neo-right \u2013 yes: shit-bourgeoisie \u2013 will drag us into the shit this time before it recognizes its reactionary revolt for what it is: a moral and intellectual declaration of bankruptcy. Time is on our side.<\/p>","protected":false},"excerpt":{"rendered":"<p>From the once nationally conservative Springer Verlag, it has become an actor of the international new right. About Poschardt\u2019s \u00bbshitty bourgeoisism\u00ab, Peter Thiel\u2019s Axel Springer Award and the transition from defending liberal democracy to its dismantling.<\/p>","protected":false},"author":1,"featured_media":10572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-10557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-texte"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"Wie der Springer-Verlag vom national-konservativen Gegner der 68er zum Akteur der neuen Rechten wurde: Poschardts \u00bbShitb\u00fcrgertum\u00ab, Thiels Award und das Ende des Nachkriegskonsenses.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"TimRa\"\/>\n\t<link rel=\"canonical\" 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